Reiko Ikegami　
Ryoko Ikegami
Musashino Art University Graduate School
Musashino Art University Graduate School

He unravels the clothes someone wore and uses all of the cloth and thread to create a picture of a day in the life.

Undo the clothes that have been worn by someone. Using everything from the cloths to the strings to bring back how it looked in the past to the present time.

Exhibition Venue: Gyoko Chika Gallery / VENUE: Gyoko Chika Gallery

Shunichi Iwata　
Shunichi Iwata
Tokyo University of the Arts Graduate School
Tokyo University of the Arts Graduate School

Painted clothing and household items are rubbed off and reincarnated as the form and texture of paintings.

Clothes and daily goods with the paintings will be brushed off and will reborn as new ways of art and quality.

Exhibition Venue: Gyoko Chika Gallery / VENUE: Gyoko Chika Gallery

Nobuto Okawara　
Nobuto Okawahara
Musashino Art University
Musashino Art University

Standing on a beat board, you can't tell the direction of your body until you lose your balance. I think there was a desire in the production process that was similar to the act of standing on a beat board.

Standing on a flutterboard, you never know where your body goes until you lose your balance. I had the same impulse inside me during my artwork.

Exhibition Venue: Shin-Shin-Marunouchi Bldg. 3rd Floor Atrium / VENUE: Shin-Marunouchi Building 3rd Floor Atrium

Hipo Oyama　
Nichiho Oyama
Kanazawa College of Art Graduate School
Graduate School of Kanazawa College of Art

Using sculpture, he attempts to express the question of what is the relationship between humans and "nature," which is expanding fluidly and making its boundaries uncertain.

Nature is always expanding and making the boards unclear. I am trying to answer the question of "What is the relationship between this nature and human being?" by making this sculpture.

Exhibition Venue: Gyoko Chika Gallery / VENUE: Gyoko Chika Gallery

Yurina Okada　
Yurina Okada
Kyoto University of Art and Design
Kyoto University of Art and Design

When we layer invisible things, what do we see there? A look into my current relationship with photography.

What do I see when I layer something invisible? I am looking into the current relationship between me and my photography.

Exhibition Venue: Gyoko Chika Gallery / VENUE: Gyoko Chika Gallery

Mayuko Kose　
Mayuko Ose
Tama Art University
Tama Art University

I am interested in scenes of ``unnatural nature'' that I sense from things like animal farms, artificial turf, and people sleeping in vacant lots.

Breeding farm, artificial lawn, a person sleeping in an open area…I am interested in "unnatural nature"

Exhibition Venue: Otemachi Park Building Ding / VENUE : Otemachi Park Building

Ryu Kawada　
Ryo Kawada
Tokyo University of the Arts Graduate School
Tokyo University of the Arts Graduate School

While painting something imitated based on "Western paintings," I continue to think about paintings that can truly give me a sense of reality.

I am drawing my imitation art based on "western art", trying to draw the art which I find the true reality in it.

Exhibition Venue: Gyoko Chika Gallery / VENUE: Gyoko Chika Gallery

Kitabayashi
Kanako Kanako Kitabayashi
Tokyo University of the Arts Graduate School
Tokyo University of the Arts Graduate School

It's at the edge of my vision, a faint sign that I'm trying to do something, that something is about to happen, and I pick it up and make it my own.

Small signs of something new happening, trying to do something new. We can find them here and there in our scenery. I pick up those signs making them my own.

Exhibition Venue: Otemachi Park Building Ding / VENUE : Otemachi Park Building

Gu Jianheng　
Kenryou Gu
Kyoto University of Art and Design
Kyoto University of Art and Design

While we come into contact with vast amounts of information every day, we create images as a collection of fragmented information. Through this structure, I would like to question the ambiguity involved in the act of looking.

As we are exposed to massive amount of information on a daily basis, images are built up unconsciously based on the aggregation of fragmented information. This situation leads up to a series of doubts regarding to ambiguity of the action “seeing”.

Exhibition Venue: Gyoko Chika Gallery / VENUE: Gyoko Chika Gallery

Narumi Sasaki　
Narumi Sasaki
Tokyo University of the Arts Graduate School
Tokyo University of the Arts Graduate School

Beauty comes only when internal impulses meet and harmonize with external factors. A picture is like a prayer.

When inner impulse connect with outer matters, the beauty is born for the first time. Painting is like praying.

Exhibition Venue: Gyoko Chika Gallery / VENUE: Gyoko Chika Gallery

Naoto Sunohara　
Naoto Sunohara
Tohoku University of Art and Design
Tohoku University of Art & Design

With mountains as the theme, he explores new ways of painting and possibilities of existence by resonating the experiences accumulated through mountain climbing.

The theme of my art is the mountains. I am searching the new ways of art and new possibilities of "presense" by climbing mountains.

Exhibition Venue: Gyoko Chika Gallery / VENUE: Gyoko Chika Gallery

Shinobu Soejima　
Shinobu Soejima
Tokyo University of the Arts
Tokyo University of the Arts

``The Heads of Cairn'' is a story created to imagine the afterlife that children who die young might end up in.

"The Spirits of Cairn" is the story about the imagination of the next world where the children who died young might end up.

Exhibition Venue: Gyoko Chika Gallery / VENUE: Gyoko Chika Gallery

Ayaka Takahata　
Sayaka Takabatake
Kyoto University of Art and Design
Kyoto University of Art and Design

When you notice the eyes of your quietly standing neighbor staring back at you, this space transforms into a shrine for your own conscience.

When I noticed the look of silent neighbor, this space suddenly changes to the shrine where you pray for your inner goodness

Exhibition Venue: Kokusai Bldg. 1st Floor Entrance / VENUE: Kokusai Building 1st Floor Entrance

Mayuki Nishikawa　
Mayuki Nishikawa
Nagoya Zokei University
Nagoya Zokei University of Art & Design

I can't stop even if I want to. I wanted to spit out the words I couldn't say out loud. Draw a picture while listening to rock music. Create a solid. It's painful and painful, but I can't help but have fun. I can't help but love it.

I can't quit even if I wanted to. I have to shout out my words that did not become my words. I draw while listening to the rock, make three-dimensional shapes. It's so hard and difficult but at the same time, so much fun. I love what I do.

Exhibition Venue: Gyoko Chika Gallery / VENUE: Gyoko Chika Gallery

Kazuhiko Hinoki　
Kazuhiko Hiwa
Kyoto University of Art and Design
Kyoto University of Art and Design

An appropriate world, an inappropriate me?
“Relationships” aren’t that easy.

Appropriate world, inappropriate me? "Relationship" is not as simple as that.

Exhibition Venue: Gyoko Chika Gallery / VENUE: Gyoko Chika Gallery

Asuka Hoshino　
Asuka Hoshino
Tokyo University of the Arts Graduate School
Tokyo University of the Arts Graduate School

It begins with drawing, cutting, pasting, and playing with shapes. I want to draw anything. It's good to be able to draw as freely as possible.

Drawing, cutting, pasting, it begins with playing with shapes. I want to make everything into art. It's good if I can draw as free as possible.

Exhibition Venue: Gyoko Chika Gallery / VENUE: Gyoko Chika Gallery

Kirari Hosomi　
Hosomi Kirari
Kyoto University of Art and Design
Kyoto University of Art and Design

What I draw is a weed-worshiping picture. By depicting the extraordinary emotions he feels from these sublime people using universal natural materials, he confirms the value of his own existence.

I am drawing the art of worship to weed. I am assuring the value of my own existence by drawing the extraordinarity I find in the sublime weed using universal natural materials.

Exhibition Venue: Shin-Shin-Marunouchi Bldg. 3rd Floor Atrium / VENUE: Shin-Marunouchi Building 3rd Floor Atrium

Yu Matsumoto　
Haruka Matsumoto
Kyoto City University of Arts Graduate School
Graduate School of Kyoto City University of Arts

Making mass media into paintings. He tries to understand what actually happened by making prints of his relationships with people, which he associates with news reports.

Making mass media an art. My inspiration comes from the jornalism where I try to understand what the reality is by making the relation between me and others to lithographs.

Exhibition Venue: Gyoko Chika Gallery / VENUE: Gyoko Chika Gallery

Taro Maruyama　
Taro Maruyama
Tokyo University of the Arts Graduate School
Tokyo University of the Arts Graduate School

The elements were connected using various criteria. It's a party. I believe that whether you are a gal or a bigot, you should be free to choose where you enter and where you pass.

I connect the different contents with different standards. This is a party. Even though you are "gyaru" or stubborn, it should be free where you enter and go through.

Exhibition Venue: Shin-Shin-Marunouchi Bldg. 3rd Floor Atrium / VENUE: Shin-Marunouchi Building 3rd Floor Atrium

Haruna Mitobe　
Haruna Mitobe
Tohoku University of Art and Design
Tohoku University of Art & Design

I am not depicting the internal parts of the object, but rather the state of the object, that is, the external elements.

I am not drawing inner characters of the object but the status which is the outer contents.

Exhibition Venue: Gyoko Chika Gallery / VENUE: Gyoko Chika Gallery

Atsuko Mochida　
Atsuko Mochida
Tokyo University of the Arts
Tokyo University of the Arts

A site-specific work that allows a private house to rotate 360 degrees. The themes of this work are blood relationships related to houses and the multilayered relationship between architecture and people.

This is a site-specific artwork which I made a private house 360 degrees rotatable. The theme of the work is the kinship concerning the house, and the multilayered relation between the architecture and humans.

Exhibition Venue: Gyoko Chika Gallery / VENUE: Gyoko Chika Gallery

Mao Morioka　
Mao Morioka
Saga Art University Graduate School
Graduate School of Kyoto Saga University of Arts

This is a series of works that I have been producing in recent years. I create my work using lines drawn in drawings and surfaces that are conceived using the lines as starting points.

This is the series of artworks I have been working on recent years. I am making works using "line" drawn in drawing and "plane" conceived as starting point of line.

Exhibition Venue: Gyoko Chika Gallery / VENUE: Gyoko Chika Gallery

Keisuke Yamamoto　
Keisuke Yamamoto
Tokyo University of the Arts Graduate School
Tokyo University of the Arts Graduate School

Guide moving objects using frames, passages, and artificial bait. Touch the flow instead of being imprisoned. These are also rehabilitation efforts to unravel names.

Using the frames, paths, fake baits to induce something unstable. It's not a confinement but touching the flow. This is also a type of rehabilitation to solve the different names.

Exhibition Venue: Shin-Yurakucho Bldg. 1F Central Zone
VENUE : Shin-Yurakucho Building 1st Floor Central zone

Koyomi Yamamoto　
Koyomi Yamamoto
Tokyo University of the Arts
Tokyo University of the Arts

You and I may never see the same scenery, but the world is created by overlapping each other's images.

You and me will never see the same sight, but our world is built up by mixing the different images together.

Exhibition Venue: Gyoko Chika Gallery / VENUE: Gyoko Chika Gallery

Yohei Watanabe　
Yohei Watanabe
Tokyo University of the Arts Graduate School
Tokyo University of the Arts Graduate School

I'm thinking about orientation and tilt seams.

I am thinking of the joints between directions and inclinations.

Exhibition Venue: Gyoko Chika Gallery / VENUE: Gyoko Chika Gallery