Judges’ comments (after the first screening)
Hirosaki Brick Warehouse Museum Deputy Director Eriko Kimura
After the first round of judging, where the number of contestants was higher than in previous years and opinions were actively exchanged among the judges, a rich variety of finalists was selected. On the other hand, in contrast to the diversity of methods and forms, there were many works that dealt with issues of sensation and perception, as well as familiar topics, suggesting that a period of introspection continued throughout the coronavirus pandemic. I did. I look forward to seeing what kind of exhibitions these will develop in Marunouchi, a public space.
editor, creative director,
Kyoto University of Arts Professor Shigeo Goto
This year's review was a year of intense debate that has rarely been seen in recent years. Excellent paintings and works with unique worldviews competed against each other. I was especially struck by the great potential of seeing so many challenging approaches that are not bound by conventional creative formulas.
Representative of Tomio Koyama Gallery,
Japan Contemporary Art Dealers Association Representative Director Tomio Koyama
There are always new works of art that come out during the judging process for this art award, but this year's entries were especially rich in variety, and I was reminded once again that the field of art embraces a variety of expressions. Although this work was created when I was a young student, I was happy to be able to once again enjoy a realistic phenomenon that definitely reflects the current times.
Saitama Museum of Modern Art Director Akira Tatehata
At the judging stage, it was impressive to see that many paintings with vague images were included, and this can be said to reflect the chaotic social situation in which the future is uncertain. In recent years, figuration has been at its peak, but this time it seems like abstract trends are making a comeback.
Mitsubishi Ichigokan Museum, Tokyo CuratorReiichi Noguchi
Whether I was an undergraduate or a master's student, I felt the strong impact of spending most of my student life during the coronavirus pandemic. Symbolic expressions such as closed spaces, attention to the body, introspection, or a sense of confinement were seen here and there. However, it seems that people are starting to view this in a relativistic way. I would like to see how this progresses in the future.
Curator, Tokyo Metropolitan Art Museum Tomoko Yabumae Tomoko Yabumae
I'm interested in the thoughts of writers who are starting their careers at a time when media is undergoing major changes, and I have a feeling that the meaning of creating will change. I hope that this award, which presents works in a limited real space, will bring about new ways of thinking about what art is in this resistance.
Professor, Graduate School of Fine Arts, Tokyo University of the Arts Yusaku Imamura Yusaku Imamura
It is difficult to select works based on portfolios. However, on the other hand, because it is a portfolio, Artist 's carelessness and tenacity toward his work come to light. Therein lies the fun of encountering works of art. This year as well, I have come across many works that delve deeply into the worlds of individuals. I look forward to seeing him in his future endeavors.