Maria Asakura (Pf. Akiko Mizuno) & Miyusaku Watanabe/Sheep's Dream
free entrance
GEIDAI ARTS in Marunouchi 2023
10/16(mon)-10/22(sun) 11:00-20:00
*Image /Top: Mitsubishi Estate Award Winner Maria Asakura (Pf. Akiko Mizuno) | MUSICASA, December 21, 2021 *Image /Bottom: Mitsubishi Estate Award Winner Miyusaku Watanabe/Sheep's Dream

Tokyo University of the Arts Mitsubishi Estate Award Commemorative Exhibition and Recital Hatsuho Kosaka [Oil Painting] Mai Kurotaki [Sculpture] Miyu Watanabe [Crafts] FENG SHENG SHIN [Design]
LI MUYUN [Advanced Art Expression] HARMANDAR ÇAĞIL [Graduate School of Image Arts and Sciences]
Miyu Tachibana [Violin] Mikiya Hojo [Saxophone] Kazumi Yokoyama [Soprano] Maria Asakura [Mezzo-soprano] Nozomi Nagai [Piano] Kento Ishikawa [Composer]

Event overview

What is Geidai Arts in Marunouchi?

Tokyo University of the Arts and Mitsubishi Estate Co., Ltd. started Geidai Arts Inn Marunouchi in 2007. Since 2008, we have been awarding the Mitsubishi Estate Award to young artists who are expected to make great strides in the future. This Events is a program to introduce and honor the year's award winners at the Marunouchi Venue, a symbol of Marunouchi Bldg.. This year, the 17th year of the award, we will be holding a concert and exhibition to commemorate the award, performed by 12 Toshihide students who have studied at Tokyo University of the Arts. From the daimyo mansions of Edo Castle to the international business district that supported the dawn of modern Japan. And then on to Tokyo's new landmark, where art culture and skyscrapers merge. Please enjoy the collaboration of young artists who resonate together on the stage of Marunouchi, Tokyo, which continues to develop.

Organizer 's message

Atsushi Nakajima (President and Executive Officer, Mitsubishi Estate Co., Ltd.)

Mitsubishi Estate's basic mission is to contribute to society through urban development, and all employees are working together as one to contribute to society.
Last December, we concluded a comprehensive partnership agreement with Tokyo University of the Arts, aiming to enhance individual creativity through the power of art, promote the creation of new industries, and contribute to solving social issues both domestically and internationally. By sharing our philosophy, we are strengthening industry-academia collaboration efforts.
Through Geidai Arts Inn Marunouchi, we aim to deepen the diversity of Marunouchi, create new value, and create an even more attractive town through the power of young Artist and collaboration with area workers.

Atsushi Nakajima (President and Executive Officer, Mitsubishi Estate Co., Ltd.)

Katsuhiko Hibino (President of Tokyo University of the Arts)Photo: Takehide Niitsuho

In today's world where there are various social issues, I believe that the role of art will become even more important in the future. Art recognizes individual differences as their own characteristics, and these differences can move each person's heart.
Geidai Arts Inn Marunouchi is a collaboration between our university and Mitsubishi Estate to create an art-filled community in a business district in the heart of Japan.
Last year, our university concluded a comprehensive partnership agreement with Mitsubishi Estate. We aim to further strengthen our collaboration with Mitsubishi Estate, seek the "richness of the soul" of each individual, and contribute to the further development of Japanese culture and art.

Katsuhiko Hibino (President of Tokyo University of the Arts)

Mitsubishi Estate Award Ceremony

Venue: Marunouchi Bldg. 1F Maru Cube Date and Time: 10/18 Wed 13:30-14:30

Speakers:
Mitsubishi Estate Award Winners / Atsushi Nakajima (President and Executive Officer, Mitsubishi Estate Co., Ltd.) / Katsuhiko Hibino (President, Tokyo University of the Arts), and others

Ceremony performance:
Oboe Oboe d'Amore Cole Anglais / Yoshiaki Obata (Professor Emeritus, Tokyo University of the Arts) Mizuho Yoshii (Associate Professor, Tokyo University of the Arts) Kazuhiro Miyamura (Part-time Lecturer, Tokyo University of the Arts) Gentaro Sakai (1st year master's student, Tokyo University of the Arts) Reimi Kawamoto (Tokyo Shiori Uehara (2nd year, Tokyo University of the Arts)
Bassoon/Hoshi Kono (4th year undergraduate, Tokyo University of the Arts)

Songs played:
GF Handel/《Music for the Royal Fireworks》 Overture
[George Frideric Handel / Music for the Royal Fireworks, HWV 351 I. Overture]

Mitsubishi Estate Award Art Division
Award commemorative exhibition

free entrance
  • Exhibition Venue: Marunouchi Bldg. 1F Maru Cube
  • Exhibition Period: 10/16 Mon- 10/22 Sun 11:00 - 20:00
Gienah Hatsuho Kosaka

Hatsuho Kosaka [Oil painting] Hatsuho KOSAKA [Oil Painting]

Gienah

Gienah

Work message:

Gienah is the star that was visible during the photo shoot, and is the name of the brightest star in the Corvus constellation.
The video shows a person heating glass on a beach, making glass beads, and dropping them repeatedly until dawn, with the horizon in front of them. When the glass ball leaves your hand, it becomes red and hot, but gradually cools down and becomes transparent, blending into the scenery. Sometimes it cracks, and depending on the person, it transforms into various forms such as living things, landscapes, stars... I hope you can enjoy the time spent dreaming about glass until the morning.

Hatsuho Kosaka

profile:

Born in August 1997
April 2018: Admitted to Tokyo University of the Arts, Faculty of Fine Arts, Department of Painting, Major in Oil Painting
March 2023 Undergraduate graduation
April 2023: Enrolled in the 5th Laboratory of Oil Painting, Department of Painting, Tokyo University of the Arts Currently enrolled

Currently, he is creating glass by melting sand from rivers and the sea, and works on the theme of memories and traces left by the lives, deaths, and actions of people and nature. His new works are on display at the ``Tenku Art Festival'' held in Tomi City, Nagano Prefecture from mid-October to November.

gate of life Mai Kurotaki

Mai Kurotaki [Sculpture] Mai KUROTAKI [Sculpture]

gate of life

gate of life

Work message:

These gates are made by dividing a single tree vertically and arranging them in pairs. At the front gate, a pair of humans and their fetuses appear in a tree, and this is where the fetuses undergo the growth process and are born. The back gate shows the birth of humans from the primitive plant world.

Mai Kurotaki

profile:

He creates people and imaginary creatures based on the theme of stories born from the continuity of the act of "carving and stacking wood." He considers wood carving to be an act of mourning and rebirth, and his monumental forms, steeped in animism, represent the human figure that has continued from the primitive world to the present day. Through research into Hokkaido's wood carving culture and folk crafts, he is searching for new expressions of wood carving.

Sheep's dream Miyu Watanabe

Miyu Watanabe [Crafts] Miyu WATANABE [Crafts]

Sheep's dream

Sheep's dream

Work message:

We created a clay animation-like ceramic animation using dolls made with ceramics. While editing videos as a hobby, I wanted to create a work that combines videos that are based on ``control'' with ceramic art that dares to enjoy ``things that cannot be controlled.'' By firing the clay with the theme of realism in time-lapse photography, we were able to visualize each frame. We also aimed to create works with a wide frontage that everyone from small children to the elderly could enjoy viewing.

Miyu Watanabe

profile:

Born in 1999 in Fuji City, Shizuoka Prefecture
2023 Graduated from Department of Crafts, Faculty of Fine Arts, Tokyo University of the Arts
Currently in the 1st year of master's degree in crafts at the same university's Graduate School of Fine Arts.
I create works using china clay and porcelain clay.

Self-portrait: me in the body, me, me and us FENG SHENG SHIN

FENG SHENG SHIN [Design] Fuu Seishin[Design]

Self-portrait: me in the body, me, me and us

Self-portrait: me in the body, me, me and us

Work message:

I am a fluid and difficult-to-understand person, but just as you can get a glimpse of my personality from the appearance of a room, I believe that by peering inside the architecture of my body, I can begin to see who I am. Due to my experience with collagen disease and the influence of animist culture, I feel that as a collective body, beings with various self-consciousness coexist within my body. In this work, I express myself as a self-portrait that gradually reveals myself through curtain-like paintings depicting the landscapes and residents of each region within my body.

FENG SHENG SHIN

profile:

Born in Taichung, Taiwan
Completed the Department of Design, Graduate School of Fine Arts, Tokyo University of the Arts in 2023
Currently in the 1st year of the doctoral program in the Department of Design, Graduate School of Fine Arts, University of Tokyo.
I create works about the body that overlaps between the world and myself.

We will soon crash into Point Nemo. LI MUYUN

LI MUYUN [Advanced Art Expression] LI MUYUN [Intermedia-Art]

We will soon crash into Point Nemo.

We will soon crash into Point Nemo.

Work message:

This work is a stereo drama installation consisting of multichannels and multimedia. The story is based on the true story of former Soviet cosmonaut Sergei Krikalev and is told in the form of a radio program. While in space, Sergei experienced the collapse of the Soviet Union in 1991, and 10 years later experienced the decommissioning of the Mir space station where he worked. In this work, the author uses Sergei's narration to represent the feelings of outsiders who ``lose their place'' based on his own experiences.

LI MUYUN

profile:

Born in Shanghai, China in 2000. Arrived in Japan in 2018. 1st year master's student at Tokyo University of the Arts, Department of Intermediate Arts. Expresses unique narratives using time-based media such as videos and radio dramas. Based on his own experience as a foreign student, he attempts to create works that portray the humility, alienation, and loneliness that lie within people, and share these feelings with others.

Vision HARMANDAR ÇAĞIL

HARMANDAR ÇAĞIL [Graduate School of Image Studies] Harmandar Char [Graduate School of Film and New Media]

Vision

Vision

Work message:

I created this work thinking about whether the mysterious act of looking shapes our world.
Isn't the visual reality that our eyes perceive like a piece of cloth that covers our bodies and existence? This fabric may prevent us from understanding each other's perspectives and keep us trapped in our own. However, by looking at each other through the organ called eyes, we connect, and new perspectives expand from eye to eye.

HARMANDAR ÇAĞIL

profile:

Born and raised in Istanbul, Turkey. Graduated from SMFA, Tufts University, Boston, USA in 2016. In 2023, completed the Graduate School of Film and New Media, Tokyo University of the Arts. Currently based in Yokohama.

Mitsubishi Estate Award Music Division
Award commemorative recital

free entrance
  • Recital Venue: Marunouchi Bldg. Marunouchi Bldg. Building
  • Performance Period: 10/20 Fri- 10/22 Sun
  • Numbered tickets distributed: 1 hour before each performance at Marunouchi Bldg. Building Hall on the 7th floor of Marunouchi Bldg.
  • *A numbered ticket is required for all performances. *Availability of numbered tickets will end as soon as they run out.
  • *Please note that pre-school children are not allowed to accompany or enter the venue.
Miyu Tachibana ©Ayane Shindo

Miyu Tachibana [Violin] Miyu KITSUWA [Violin]

Miyu Tachibana ©Ayane Shindo

Performance date and time 10/20 Fri 19:00-20:30 (numbered tickets distributed 18:00)

Songs played:

1. E. Ysaye〈Solo Violin Sonata No. 3 “Ballade”〉
2. JS Bach〈Fuga from Solo Violin Sonata No. 1〉
3. N. Paganini〈No. 1 from 24 Caprices〉
4.H. Wieniawski〈Splendid Fantasy on a Theme from Gounod's ``Faust''〉
5. N. Paganini〈No. 24 from 24 Caprices〉
6. F. Poulenc <Violin Sonata>
Performer: Kazumi Tachibana (violin)
Accompaniment = Reo Gojo (piano)

comment:

We would like to express our sincere gratitude for receiving the prestigious Mitsubishi Estate Award.
This program will focus on unaccompanied pieces from various eras such as Bach, Paganini, and Ysaye, as well as Wieniawski's splendid fantasy on a theme from Gounod's Faust, and Poulenc's violin sonata. Even the same piece of unaccompanied music has completely different charms depending on the era and composer. I hope everyone can enjoy the charm of each of them.
For me, playing the violin is as natural as breathing, and it comes naturally to me. Of course, it is natural for me to seriously explore music with composers, but I also want to refine my personality so that the sound that is the crystallization of my heart can move people's hearts. Masu.
Although I am still immature, I will continue to work hard.

profile:

Started playing the violin at the age of 3.
3rd place at the 66th All Japan Student Music Competition Elementary School Division in Tokyo.
Received the Encouragement Award at the 68th All Japan Student Music Competition, Junior High School Division, Tokyo. Winner of the 2nd Zigeunerweizen Violin Competition.
2nd place in Category B of the 2nd International Mozart Music Competition for Young Musicians held in Zhuhai, China.
He won 1st place in the high school category at the 34th Kanagawa Music Competition, and also won the 2nd prize and the Kanagawa Shimbun President's Award.
Selected for the 89th Japan Music Competition.
2nd place and Audience Award at the 19th Tokyo Music Competition.
5th place at the 8th Sendai International Music Competition.
9th Munetsugu Angel Violin Competition 1st place, Chubu Philharmonic Orchestra Award, Audience Award
Received the Excellence Award at the 15th Music Academy in Miyazaki 2022.
2021 Aoyama Music Foundation scholarship recipient.
ROHM Music Foundation scholarship recipient in 2021 and 2022.
In 2015 and 2016, I found a golden egg and won consecutive concert awards at auditions. In 2019, he will be invited as a soloist at the opening concert of the 3rd International Mozart Competition for Young Musicians.
Studied violin with Kaname Miyashita, Shigeo Kubota, Hisako Kubota, Gerard Poulet, Yoshio Unno, Machie Oguri, and Yasuko Otani.
Graduated from Tokyo University of the Arts at the top of his class after attending the Music High School attached to the Faculty of Music. Upon graduation, he received the Acanthus Music Award.
Currently enrolled in the first year of graduate school at Tokyo College of Music as a special scholarship student.
The instrument used is A.Stradivari “ex.Rainville” made in 1697, loaned by the Munetsugu Collection.

Mikiya Hojo

Mikiya Hojo [saxophone] Mikiya HOJO [Saxophone]

Mikiya Hojo

Performance date and time: 10/21 Sat 13:30-15:00 (Ticket distribution 12:30)

Songs played:

1.C. Debussy〈Rhapsody〉
2.V. David〈Éclats d'échos〉
3.P. Creston〈Sonata Op.19〉
4.P. Sankan〈Lament and Rondo〉
5.J. Brahms〈Clarinet Sonata No. 2 in E flat major Op.120-2〉
Performer = Mikiya Hojo (saxophone)
Accompaniment = Michiyo Hanaishi (piano)

comment:

I am very honored to have been given this prestigious award and to have had this opportunity.
This recital is my first recital. This program allows you to enjoy the charm of the saxophone to the fullest, including traditional saxophone original repertoire, as well as contemporary pieces and arrangements of superb technique composed by the world's top saxophonists. I hope you can get a feel for the differences in the styles of French, American, and German music from each country and composer, as well as the differences in the way composers of traditional and modern music think about and use the saxophone. Masu. We will perform to the best of our ability and express our gratitude to everyone who supports us.

profile:

Born in 2000 in Ebina City, Kanagawa Prefecture.
Started playing the saxophone at the age of 9, majored in music at Kanagawa Prefectural Yasaka High School, then graduated from Tokyo University of the Arts, Faculty of Music, Department of Instrumental Music.
Upon graduation, he won the Acanthus Music Award, the Doseikai Award, and the Mitsubishi Estate Award.
Currently enrolled in the first year of master's degree at the Graduate School of Music.
He has studied under Maki Kasai, Masahiro Tamura, Nobuya Sugawa, Makoto Hondo, Masaki Oishi, Shinichiro Hikosaka, and Hiroyuki Matsui.
1st place in the 1st K Saxophone Competition Junior High School Division, 1st place in the 4th High School Division and 2nd place overall,
1st place in the 7th University/General Venue Judging Division
18th and 20th Japan Junior Wind and Percussion Competition Gold Prize
Many Others wins and awards including 1st place at the 20th Junior Saxophone Competition
Performed Takashi Yoshimatsu's Cyberbird Concerto with the Geidai Philharmonia Orchestra at the Tokyo University of the Arts Morning Concert.
Received the 2018 Ebina Cultural Award.

Kazumi Yokoyama ©YOSHINOBU FUKAYA/aura.Y2

Kazumi Yokoyama [Soprano] Kazumi YOKOYAMA [Soprano]

Kazumi Yokoyama ©YOSHINOBU FUKAYA/aura.Y2

Performance date and time 10/21 Sat 18:30-20:00 (numbered tickets distributed 17:30)

Songs played:

1. R. Strauss〈“The Great Queen” from the opera “Ariadne auf Naxos”
2. G. Verdi〈“Goodbye, Days Ago” from the opera “La Traviata”
3. A. Previn <“I want magic!” from the opera “A Streetcar Named Desire”>
Cast = Kazumi Yokoyama (soprano)
Accompaniment = Yukiko Tenbi (piano)

comment:

Thank you very much for awarding us the prestigious Mitsubishi Estate Award.
I am very honored to receive this award, which has been given to my great predecessors. In my doctoral program at graduate school, my subject is the ``theatrical role of music in opera.''
In my past two doctoral recitals, I have performed two highly theatrical operas, ``Ariadne auf Naxos'' and ``La Traviata.'' This time, I would like to perform one aria from each of them, and one piece from the contemporary opera ``A Streetcar Named Desire,'' which I will be working on from now on.
I play three women, each with a completely different personality and singing style.
We hope you enjoy the different roles played by these three women, who laugh at love in a funny way, or worry about it, or abandon reality and seek magic when it comes to love.

profile:

Won 2nd place and Iwatani Prize (Audience Award) in the vocal section of the 86th Japan Music Competition.
Studied abroad in Vienna, Austria as a trainee under the Agency for Cultural Affairs' Overseas Dispatch Program for Emerging Artists in 2020.
She passed the Vienna preliminary round at the 40th Hans Gabor Belvedere International Vocal Competition and was selected to the world finals.
In Austria, she played the role of Titania in ``A Midsummer Night's Dream'' at Wien Theater Akzent and the role of Constanze in ``Escape from the Seraglio'' at Wiener Konzerthaus, Graz Musikverein, both of which were successful.
Currently enrolled in the Doctoral Program in Opera, Graduate School of Music, Tokyo University of the Arts.

Maria Asakura

Maria Asakura [Mezzo-Soprano] Maria ASAKURA [Mezzo-soprano]

Maria Asakura

Performance date and time 10/21 Sat 18:30-20:00 (numbered tickets distributed 17:30)

Songs played:

PI Tchaikovsky
Excerpt from “Six Romances” Op. 27, 38, 57, “Seven Romances” Op. 47, “Twelve Romances” Op. 60
1.〈Oh, even if you are just for a moment... Work 38-4〉
2.〈Tell me, what will you sing in the shade of the tree...Op. 57-1〉
3.〈Last night, work 60-1〉
4.〈Forest, bless you, work 47-5〉
5.〈Death Work 57-5〉
6.〈Crazy Night Work 60-6〉
7.〈Before Sleep, Work 27-1〉
8.〈The gentle stars shine, Work 60-12〉
Cast = Maria Asakura (mezzo-soprano)
Accompaniment = Mizuki Onuki (piano)

comment:

Thank you very much for awarding us this prestigious award. I feel very honored and humbled at the same time. I would like to express my sincere gratitude to the teachers who teach me and the many people who support me on a daily basis.
After entering graduate school, I pursued performance research with a focus on Tchaikovsky's song works.
Tchaikovsky is known for many masterpieces such as orchestral music, opera, and ballet music, but his song works are also very beautiful. The program we will be performing this time will focus on songs created from the middle to the latter half of the period. We hope you enjoy Tchaikovsky's magnificent worldview and the beautiful sounds of the Russian language.

profile:

Vocalist. Born in Tokyo in 1988.
Graduated from Tokyo Metropolitan High School of Arts. Graduated from Tokyo College of Music, majoring in piano.
Graduated from the Department of Vocal Music, Faculty of Music, Tokyo University of the Arts. Upon graduation, he received the Doseikai Award. Completed master's program at the same graduate school.
Currently enrolled in the doctoral course at the same graduate school.
Received the Nagano Yonako Prize and the Mori Runner-up Prize. 389th Geidai Philharmonia Orchestra Choral Subscription Concert "Small Solemn Mass", 38th and 39th Taito 9th Performances 9th in Shitamachi, 9th in Mitsukoshi, 2019 Arakawa 9th, 69th Served as a soloist at Geidai Messiah. Studied under Kazuko Nagai and Ikuko Nakajima.

Hope Nagai

Nozomi Nagai [piano] Kibou NAGAI [Piano]

Hope Nagai

Performance date and time: 10/22 Sun 13:30-15:00 (numbered tickets distributed 12:30)

Songs played:

1.JS Bach〈The Well-Tempered Clavier Volume 1 No. 1 Prelude and Fugue BWV 846 in C Major〉
2. S. Rachmaninoff〈Piano Sonata No. 2 1931 edition B flat minor Op.36〉
3.Lv Beethoven〈Piano Sonata No. 32 in C minor Op.111〉
Performer: Nozomi Nagai (piano)

comment:

Long and short, stillness and movement, life and death, inside and outside, right and left, red and blue. The binary opposition that is produced, and the existence and non-existence that fall from the binary opposition. The violence of being named, the violence of not being named. A hymn quietly dedicated to the stars that were not allowed to name themselves, to the stars that were forced to name themselves, to all the stars of the past, present, and future that existed, will exist, and will be allowed to exist.

profile:

Born in September 2000.
He began studying piano at the age of 5, and has studied piano with Hiroyuki Oda, Keiko Sasaki, Katsuko Kaneko, Hironao Suzuki, and others, and solfege with Kunio Sasaki. Currently studying piano with Hiroshi Arimori.
Currently enrolled in the 1st year of the Master's Program in Piano Research, Department of Instrumental Music, Graduate School of Music, Tokyo University of the Arts.

Kento Ishikawa

Kento Ishikawa [composer] Kento ISHIKAWA [Composition]

Kento Ishikawa

Performance date and time: 10/22 Sun 18:30-20:00 (numbered tickets distributed 17:30)

Songs played:

1.〈Armonioso〉
Fl. Ayami Tanaki, Pf. Kana Furukawa
2. <Marunouchi Luminescence>
Sho. Marika Nawa, Pf. Kana Furukawa
3. <Desire of imitation>
Cl. Minori Hayashi, Sax. Mikiya Hojo
4. 〈Beyond the Melting Pot Ⅰ〉
Fl. Saisui Tanaki, Cl. Minori Hayashi, Sax. Mikiya Hojo, Trb. Takahito Teshima, Sho. Marika Nawa, Perc. Kanan Narita, Pf. Kana Furukawa, Vn. Riho Kishikawa, Cb. Toki Mizuno

Cast: Kento Ishikawa (composer), Keito Teshima (trombone), Toki Mizuno (double bass), Marika Nawa (sho), Kanan Narita (percussion), Ayami Tanaki (flute), Kana Furukawa (piano) , Minori Hayashi (clarinet), Mikiya Hojo (saxophone), Riho Kishikawa (violin)

comment:

I am very honored to receive such an honorable award. I would like to express my sincere gratitude to all the teachers, friends, family, and everyone who has helped me so far. This recital was recommended to me by my professors at the University of the Arts, so I have designed a program that looks back on my seven years at the University of the Arts. ``Armonioso'' for flute and piano, which I wrote as a work submitted during my first year as an undergraduate, and ``Beyond the Melting Pot I'' for ensemble, which was performed on campus during my second year of master's degree, were newly written for this recital2. We would like to share this program with you as a way of expressing our gratitude to those who have watched over our growth, and as an expression of our belief in never forgetting our original intentions and continuing to create.

profile:

Born in Tokyo in 1997.
With a creative style that takes ideas from a wide range of interests and fields and translates them into music, creating multi-layered textures,
His recent works include “Beyond the melting Pot II” (2022), which depicts the orchestra as a “melting pot.”
His works include the chamber orchestra piece Bricola Jugem (2023), which projects the world of classical rakugo born from the Japanese style of gathering manners and the concept of bricolage.
Recently, he has been expanding his creative horizons by collaborating with art works and holding solo exhibitions of his own works.
Selected for the 23rd 21st Century Wind Orchestra "Kyoen"
He won first place in the composition section of the 91st Japan Music Competition, and won numerous awards including the Meiji Yasuda Prize, the Miyoshi Prize, and the Mitsubishi Estate Prize. The orchestral work will be performed by the Tokyo Philharmonic Orchestra conducted by Yasuaki Itakura and will be broadcast for the first time on NHK-FM. Member of 21st Century Music Society.
To date, he has studied composition with Masami Murata, Fumiko Kojiba, Keiichi Morigaki, Akio Yasuraoka, and Kyo Mochizuki, and conducting with Yosuke Funabashi.
After graduating from the Department of Composition, Faculty of Music, Tokyo University of the Arts, he is currently enrolled in the Department of Composition, Graduate School of Music, Tokyo University of the Arts. Part-time lecturer at Kyoei Gakuen High School Music Department. 7th batch of Kuma Foundation Creator Scholarship students.

Access

Marunouchi Bldg.

Marunouchi Bldg.
2-4-1 Marunouchi, Chiyoda-ku, Tokyo (Click here for Transportation Guide to Marunouchi Bldg.)
Exhibition Venue: Marunouchi Bldg. 1F Maru Cube
Recital Venue: Marunouchi Bldg. Marunouchi Bldg. Building

TEL:03-5218-5100(Marunouchi Call Center | Reception hours 11:00-21:00)
*However, on Sundays and holidays, until 20:00. (In case of consecutive holidays, until 20:00 on the last day only)